"Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II" by Johann Sebastian Bach, Boston Baroque, Martin Pearlman was released on April 27, 2004. The duration of Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 24 in Bach: The Complete Orchestral Suites by Johann Sebastian Bach, Boston Baroque, Martin Pearlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II by Johann Sebastian Bach, Boston Baroque, Martin Pearlman is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Spiritosa e staccata | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Major | 2 | 1B | 72 BPM | ||
II. Wir Danken Dir, Gott, Wir Danken Dir BWV 29, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Eduard Wesley, Will Wroth, Sytse Buwalda, Marjon Strijk, Vaughan Schlepp, Peter Frankenberg, Hendrik Jan Houtsma, Susan Williams, Frank Aarnink, Geerten Rooze, Pieter Jan Leusink | D♭ Major | 0 | 3B | 119 BPM | ||
L'italiana in Londra: Overture: III. Presto | Domenico Cimarosa, Toronto Chamber Orchestra, Kevin Mallon | F Major | 2 | 7B | 87 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach, Frank Theuns, Les Muffatti | B♭ Minor | 2 | 3A | 65 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Marilyn McDonald, Karen Kaderavek | A Major | 2 | 11B | 123 BPM |