"L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés" by Gabriel Fauré, Stéphane Degout, Alain Planès had its release date on May 17, 2024. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 29 in Fauré: La Bonne Chanson - L'Horizon chimérique - Ballade - Mélodies by Gabriel Fauré, Stéphane Degout, Alain Planès. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés by Gabriel Fauré, Stéphane Degout, Alain Planès is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Fauré: 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
4 Songs, Op. 47: No. 2, Kuin hiipuva hiillos tummentuu | Oskar Merikanto, Waltteri Torikka, Marko Hilpo | E Major | 0 | 12B | 86 BPM | ||
Pocket Poetry No. 1: IV. Miss You | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
4 Pezzi Sacri: III. Laudi alla Vergine Maria | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie | Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch | B Minor | 0 | 10A | 77 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM |