"Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie" by Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch was released on January 9, 2020. With Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch's "Karłowicz / Moniuszko: Pieśni" album is number 4 out of 26. Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie by Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4 | Mieczysław Karłowicz, Jadwiga Rappe, Ewa Pobłocka | G Minor | 0 | 6A | 72 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Gymnopédie No. 1 (Orch. Debussy) | Erik Satie, Ronald Corp, New London Orchestra | D♭ Major | 2 | 3B | 75 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 19 (Allegro appassionato) | Lera Auerbach, Camille Thomas, Beatrice Berrut | B♭ Minor | 1 | 3A | 97 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM |