"Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4" by Mieczysław Karłowicz, Jadwiga Rappe, Ewa Pobłocka was released on May 3, 2011. With Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4 being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mieczysław Karłowicz, Jadwiga Rappe's "Karlowicz: Songs" album is number 21 out of 22. On top of that, Poland appears to be the country where this track was created. Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4 by Mieczysław Karłowicz, Jadwiga Rappe, Ewa Pobłocka to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Odwieczne piesni (Eternal Songs), Op. 10: II. Piesn o milosci i o smierci (Song of Love and Death) | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Kazimierz Kord | D♭ Major | 1 | 3B | 80 BPM | ||
Otello, Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 83 BPM | ||
Les Érinnyes: Invocation | Jules Massenet, Munich Radio Orchestra, Herve Niquet, Alexandre Vay | B♭ Major | 1 | 6B | 74 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
On This Island, Op. 11: I. Let the Florid Music Praise | Benjamin Britten, Jodie Devos, Nicolas Krüger | G Major | 1 | 9B | 91 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6 - Sostenuto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM |