"Requiem, Op. 63: Ic. Requiem aeternam" by Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins was released on May 5, 2023. With Requiem, Op. 63: Ic. Requiem aeternam being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Stanford: Requiem". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Requiem, Op. 63: Ic. Requiem aeternam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem, Op. 63: Ic. Requiem aeternam by Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
As Vesta Was | Thomas Weelkes, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 132 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
3 Intermezzi, Op. 13: No. 1. Andante espressivo | Charles Villiers Stanford, Robert Plane, Benjamin Frith | B♭ Major | 0 | 6B | 91 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Yan Pascal Tortelier, BBC Philharmonic, City of Birmingham Symphony Chorus | D♭ Major | 0 | 3B | 70 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM |