"Burial Service: I am the resurrection" by William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner was released on August 7, 2015. The duration of Burial Service: I am the resurrection is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Burial Service: I am the resurrection's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 14 in Croft: Burial Service & Anthems by William Croft, Sidney Sussex College Choir, Cambridge, David Skinner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Burial Service: I am the resurrection is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Burial Service: I am the resurrection by William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
O How Amiable Are Thy Dwellings (Psalm 84) | A. Herbert Brewer, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | F Minor | 1 | 4A | 73 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Be Merciful unto Me, O God (Psalm 56) | Stanley Alcock, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | B♭ Minor | 1 | 3A | 80 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
The Agony | John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen | D♭ Minor | 1 | 12A | 73 BPM |