"Tema con 7 variazioni e coda, Op. 44: VII. Variation VI: Andante molto sostenuto" by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä was released on March 31, 1995. The duration of Tema con 7 variazioni e coda, Op. 44: VII. Variation VI: Andante molto sostenuto is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tema con 7 variazioni e coda, Op. 44: VII. Variation VI: Andante molto sostenuto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Uuno Klami's "Klami: Kalevala Suite" album is number 8 out of 17. Tema con 7 variazioni e coda, Op. 44: VII. Variation VI: Andante molto sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tema con 7 variazioni e coda, Op. 44: VII. Variation VI: Andante molto sostenuto by Uuno Klami, Lahti Symphony Orchestra, Osmo Vänskä to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Romeo and Juliet, Op. 64: No. 1 Introduction | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E Major | 0 | 12B | 69 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM |