"You're Not Too Bad Yourself (Excerpts from "Crazy Days") [Version for Piano]" by Billy Mayerl, Eric Parkin was released on August 14, 1993. With You're Not Too Bad Yourself (Excerpts from "Crazy Days") [Version for Piano] being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Billy Mayerl Piano Transcriptions, Vol. 2". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. You're Not Too Bad Yourself (Excerpts from "Crazy Days") [Version for Piano] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You're Not Too Bad Yourself (Excerpts from "Crazy Days") [Version for Piano] by Billy Mayerl, Eric Parkin having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En attendant les bravos | Philippe Sarde | D Major | 1 | 10B | 88 BPM | ||
Variazioni di bravura on a Theme by Rossini: Theme – | Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Woodland Sketches, Op. 51: No. 9: By a Meadow Brook | Edward MacDowell, James Barbagallo | E♭ Major | 0 | 5B | 62 BPM | ||
Papillons, Op. 2: Introduction. Moderato & No. 1, Waltz | Robert Schumann, Llŷr Williams | B♭ Major | 1 | 6B | 74 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Four Aces: Ace of Hearts | Billy Mayerl, Richard Rodney Bennett | G Major | 2 | 9B | 104 BPM | ||
Nunca tuvo novio (Arr. for Piano) | Agustín Bardi, Mirian Conti | G Major | 1 | 9B | 130 BPM | ||
Suite for a Variety Orchestra: Waltz No. 2 (Transcr. for Piano by Florian Noack) | Dmitri Shostakovich, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Songs Without Words, Book 8, Op. 102: No. 4 in G Minor, MWV U 152 "The Sighing Wind" | Felix Mendelssohn, Bruce Levingston | E♭ Major | 1 | 5B | 79 BPM |