"Ein feste Burg ist unser Gott, Cantata BWV 80: 8. Choral: "Das Wort sie sollen lassen stahn"" by Johann Sebastian Bach, Jane Bryden, Drew Minter, Jeffrey Thomas, Jan Opalach, The Bach-Ensemble, Joshua Rifkin was released on February 22, 1987. With Ein feste Burg ist unser Gott, Cantata BWV 80: 8. Choral: "Das Wort sie sollen lassen stahn" being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 18 in Bach, J.S.: Cantatas Nos. 80 & 147 by Johann Sebastian Bach, Joshua Rifkin, The Bach-Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ein feste Burg ist unser Gott, Cantata BWV 80: 8. Choral: "Das Wort sie sollen lassen stahn" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein feste Burg ist unser Gott, Cantata BWV 80: 8. Choral: "Das Wort sie sollen lassen stahn" by Johann Sebastian Bach, Jane Bryden, Drew Minter, Jeffrey Thomas, Jan Opalach, The Bach-Ensemble, Joshua Rifkin is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |