"Israel In Egypt, HWV 54 / The ways of Zion do mourn: 4. When the ear heard him" by George Frideric Handel, Susan Gritton, Michael Chance, Ian Bostridge, Stephen Varcoe, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury had its release date on April 11, 2000. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury's "Handel: Israel in Egypt" album is number 4 out of 48. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Israel In Egypt, HWV 54 / The ways of Zion do mourn: 4. When the ear heard him is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Israel In Egypt, HWV 54 / The ways of Zion do mourn: 4. When the ear heard him by George Frideric Handel, Susan Gritton, Michael Chance, Ian Bostridge, Stephen Varcoe, Brandenburg Consort, Roy Goodman, Alastair Ross, James Vivian, Angela East, Stephen Cleobury to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Die Entführung Aus Dem Serail - Arie : Ach, iche liebte, war so... | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | F Major | 1 | 7B | 122 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Sonata in G, BuxWV 271: I. Allegro | Dietrich Buxtehude, La Rêveuse | F♯ Major | 3 | 2B | 83 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |