"St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich"" by Johann Sebastian Bach, Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly was released on January 1, 2010. St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 2 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly. In terms of popularity, St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" by Johann Sebastian Bach, Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In D Minor, BWV 940 | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 121 BPM | ||
I. Ein Feste Burg Ist Unser Gott BWV 80, Coro: Ein Feste Burg Ist Unser Gott | Holland Boys Choir; Netherlands Bach Collegium, Frank Wakelkamp, Knut Schoch, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Martin Mans, John Wilson Meyer, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 3 | 3B | 88 BPM | ||
I. Schauet Doch Und Sehet, Ob Irgendein Schmerz Sei BWV 46, (6) Choral (Coro): O Großer Gott Der Treu' | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Anneke Boeke, Knut Schoch, Katherin Steddon, Sytse Buwalda, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 85 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: III. Et misericordia ejus (Chorus). Andante molto | Antonio Vivaldi, Andrew Parrott, Taverner Players | F Minor | 1 | 4A | 91 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Requiem: Requiem: III. Sequenz - Dies irae (Coro) | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Minor | 2 | 5A | 109 BPM |