Konrad Max Kunz, Peter Breiner, Slovak Radio Symphony Orchestra's 'Bavaria [Bayernhymne (Bavarian's Hymn), "God with you, oh land of Bavarians…"]' came out on August 1, 2013. With Bavaria [Bayernhymne (Bavarian's Hymn), "God with you, oh land of Bavarians…"] being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "The Complete National Anthems of the World (2013 Edition), Vol. 1". In this album, this song's track order is #45. Bavaria [Bayernhymne (Bavarian's Hymn), "God with you, oh land of Bavarians…"] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bavaria [Bayernhymne (Bavarian's Hymn), "God with you, oh land of Bavarians…"] by Konrad Max Kunz, Peter Breiner, Slovak Radio Symphony Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieutenant Kije Suite, Op. 60: III. Kije's Wedding | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | G Major | 1 | 9B | 162 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
American Patrol | US Air Force Heritage of America Band | E♭ Major | 3 | 5B | 112 BPM | ||
Der Carneval in Paris, Galopp, Op. 100 | Johann Strauss I, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 81 BPM | ||
En vogue | Original C.M. Ziehrer Orchestra | F Major | 2 | 7B | 155 BPM | ||
Der Freischütz : Jäger-Chor | Die Hornisten der Berliner Philharmoniker | D Major | 1 | 10B | 109 BPM | ||
Das große Tor von Kiew | Modest Mussorgsky, Brass Band Fröschl Hall, Hannes Buchegger | E♭ Major | 3 | 5B | 74 BPM | ||
Springtime Suite: I | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | B♭ Major | 1 | 6B | 81 BPM |