On January 1, 2011, the song "Tourbillon-Galopp op.142, No. 1 - Arr. Heinrich Pek" was released by Joseph Lanner, Wiener Philharmoniker, John Eliot Gardiner. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wiener Philharmoniker On Holiday by Wiener Philharmoniker. The song's track number on the album is #2 out of 19 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Tourbillon-Galopp op.142, No. 1 - Arr. Heinrich Pek is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Tourbillon-Galopp op.142, No. 1 - Arr. Heinrich Pek by Joseph Lanner, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tourbillon-Galopp op.142, No. 1 - Arr. Heinrich Pek being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act II: Coda (Minkus) | Mariinsky Orchestra | D Major | 7 | 10B | 91 BPM | ||
Giselle - Act 2: No. 10 Apparition et scène de Myrtha: c) Pas de Myrtha (Andantino) | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | E♭ Major | 1 | 5B | 113 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Alice in Wonderland: Act II: The Queen (Furioso) | Carl Davis, Prague City Philharmonic Orchestra | C Major | 3 | 8B | 75 BPM | ||
La Bayadère / Act 1: No.26 Tempo di valse brillante | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 3 | 10B | 102 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM |