Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra made "Etudes: I. Tendus - grands battements - fondus - frappés" available on February 1, 1996. The duration of Etudes: I. Tendus - grands battements - fondus - frappés is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Etudes: I. Tendus - grands battements - fondus - frappés's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #2. Based on our statistics, Etudes: I. Tendus - grands battements - fondus - frappés's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Etudes: I. Tendus - grands battements - fondus - frappés by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Protecting Veil: The Nativity of the Mother of God | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F♯ Minor | 0 | 11A | 101 BPM | ||
Act I - Boston Waltz | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Major | 2 | 10B | 144 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
Trombone Concerto (1st version): II. Quasi una leggenda: Andante grave | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | A♭ Major | 0 | 4B | 139 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: V. in A major. Allegro vivace | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Star Trek Medley | Michael Giacchino, Danish National Symphony Orchestra, Antony Hermus | F♯ Major | 5 | 2B | 77 BPM | ||
Now We Are Free (From "Gladiator") | Hans Zimmer, Danish National Symphony Orchestra, Ludwig Wicki | E Major | 5 | 12B | 120 BPM | ||
Etudes: VI. Pas de deux romantique | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | E Major | 0 | 12B | 81 BPM | ||
Symphony No. 1 in G Minor, Op. 7: I. Allegro orgoglioso | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Minor | 2 | 5A | 98 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM |