"Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br" by Manuel de Falla, Peter Phillips, Joseph Greene was released on May 23, 2023. The duration of Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br is about 3 minutes long, at 3:24. Based on our data, "Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 8 in Barcarolle. Piano Evocations from the Golden Age by Peter Phillips, Alexander Borodin, John Ireland, Frederick Delius, Pyotr Ilyich Tchaikovsky, Charles-Valentin Alkan, César Franck, Manuel de Falla. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pieces Espagnoles: No. 2, Cubana - Duo-Art 0342 Br by Manuel de Falla, Peter Phillips, Joseph Greene is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Vida Breve, G. 35, Act II, First Tableau, Scene I: Danza | Manuel de Falla, BBC Philharmonic, Juanjo Mena, RTVE Symphony Chorus, Nancy Fabiola Herrera, Cristina Faus, Aquiles Machado, Raquel Lojendio, Josep Miquel Ramón | G Major | 1 | 9B | 93 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 1 in A Minor - Andantino | Franz Burgmüller, Anja Lechner, Pablo Marquez | A Major | 0 | 11B | 104 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Danzas fantasticas, Op. 22: Orgia | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | D Major | 2 | 10B | 136 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM |