"Baracarole (from Tales of Hoffmann)" by Frank Shipway, Royal Philharmonic Orchestra was released on July 1, 1996. The duration of Baracarole (from Tales of Hoffmann) is about 3 minutes long, at 3:15. Based on our data, "Baracarole (from Tales of Hoffmann)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Great Orchestral Classics" album is number 3 out of 10. On top of that, Australia appears to be the country where this track was created. Baracarole (from Tales of Hoffmann) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Baracarole (from Tales of Hoffmann) by Frank Shipway, Royal Philharmonic Orchestra to be Lento (slowly) because the track has a tempo of 48 テンポ, a half-time of 24テンポ, and a double-time of 96 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 2 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 0 | 11B | 81 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 143 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg (the Ascent) - | Richard Strauss, Orquestra Sinfônica do Estado de São Paulo, Frank Shipway | B♭ Minor | 0 | 3A | 69 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM |