Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra made "Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto" available on 1968. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Édouard Lalo, Itzhak Perlman's "Lalo: Symphonie espagnole - Ravel: Tzigane" album is number 2 out of 6. In terms of popularity, Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | B Major | 1 | 1B | 79 BPM | ||
Fantaisie norvégienne pour violon et orchestre: III. Allegro | Édouard Lalo, Vladyslava Luchenko, Liège Royal Philharmonic, Jean-Jacques Kantorow | E♭ Major | 0 | 5B | 134 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
Tambourin chinois | Fritz Kreisler, Joshua Bell, Paul Coker | G Minor | 2 | 6A | 82 BPM | ||
Le Roi d'Ys, Act III: "Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" | Édouard Lalo, Édouard Blau, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | B Major | 5 | 1B | 145 BPM | ||
La ronde des lutins, Op. 25 | Antonio Bazzini, Itzhak Perlman, David Garvey | E Minor | 4 | 9A | 100 BPM |