"Daphnis et Chloé, M. 57 / Deuxième partie: Danse guerrière" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin was released on January 1, 1995. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloë". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Daphnis et Chloé, M. 57 / Deuxième partie: Danse guerrière is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, M. 57 / Deuxième partie: Danse guerrière by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation II (Kriegerisch) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Symphony No. 3 in C Major, Op. 32: III. Andante | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 136 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William Preucil | C Major | 0 | 8B | 129 BPM | ||
6 Moments musicaux, Op. 16: No. 6, Maestoso | Sergei Rachmaninoff, Boris Giltburg | C Major | 1 | 8B | 70 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 85 BPM | ||
Siegfried, WWV 86C / Act II: "Nun sing! Ich lausche dem Gesang" | Richard Wagner, Catherine Gayer, Jess Thomas, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 68 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai - Arranged for Flute | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | A Minor | 2 | 8A | 101 BPM |