"Schwanensee, Op. 20: Act I No. 5: Pas de deux" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. With Schwanensee, Op. 20: Act I No. 5: Pas de deux being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Schwanensee, Op. 20: Act I No. 5: Pas de deux is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act I No. 5: Pas de deux by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
Swan Lake, Op. 20, TH 12 / Act II: No. 13b Danse des cygnes: Odette solo / Première danse de la reine des cygnes (Moderato assai) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 123 BPM | ||
Les Sylphides: 5. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 120 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Schwanensee, Op. 20: Act III: Pas de deux | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 4 | 8B | 125 BPM | ||
La source, ou Naila: Suite No. 3: Suite No. 3: Introduction et Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 1 | 12B | 176 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante’s Variations | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | G Major | 0 | 9B | 79 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM |