Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's 'Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance. Allegretto' came out on April 26, 2024. Since Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's "Haydn 2032, Vol. 15: La Reine" album is number 2 out of 12. On top of that, France appears to be the country where this track was created. Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance. Allegretto is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance. Allegretto by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Amant anonyme: Ouverture: III. Presto | Joseph Bologne, Chevalier de Saint-Georges, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM | ||
Violin Concerto in B-Flat Major, Op. 7 No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E Major | 1 | 12B | 119 BPM | ||
Flute Trio No. 3 in G Major, Hob. IV:3: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 1 | 8B | 62 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sinfonia concertante in E-Flat Major, W. C37: II. Allegro | Johann Christian Bach, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | B♭ Minor | 0 | 3A | 69 BPM | ||
ディヴェルティメント K.136~第3楽章 | ベルリン室内管弦楽団 | D Major | 2 | 10B | 168 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM |