"Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio" by Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir was released on January 1, 1987. With Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, The English Concert, Trevor Pinnock, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, The English Concert Choir, Nicholas Parle's "Haydn: Missa in angustiis "Nelson Mass"; Te Deum" album is number 13 out of 14. Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio by Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
In jener letzten der Nächte | Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer | B Minor | 2 | 10A | 145 BPM | ||
Sonata In D Major, K.479 | Domenico Scarlatti, Trevor Pinnock | B Minor | 1 | 10A | 118 BPM | ||
Missa Solemnis in D Major, Op. 123: III. Credo: Credo | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 1 | 7A | 136 BPM | ||
Sonata In G Major, K.547 | Domenico Scarlatti, Trevor Pinnock | B Minor | 3 | 10A | 145 BPM | ||
Sonata In B Flat Major, K.544 | Domenico Scarlatti, Trevor Pinnock | B Minor | 1 | 10A | 118 BPM | ||
Concerto grosso in D Major, Op. 6, No. 5 HWV 323: V. Allegro | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, David Reichenberg, Sophia McKenna, Jeremy Ward | B Minor | 2 | 10A | 121 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM |