"Sonata No. 54 for 2 Lutes in C Major (missing lute part reconstructed by K.-E. Schroder): III. Largo" by Karl-Ernst Schröder, Silvius Leopold Weiss, Robert Barto was released on May 3, 2011. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weiss: Dresden Manuscript - Music for two lutes by Karl-Ernst Schröder, Silvius Leopold Weiss, Robert Barto. The song's track number on the album is #7 out of 16 tracks. In terms of popularity, Sonata No. 54 for 2 Lutes in C Major (missing lute part reconstructed by K.-E. Schroder): III. Largo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata No. 54 for 2 Lutes in C Major (missing lute part reconstructed by K.-E. Schroder): III. Largo by Karl-Ernst Schröder, Silvius Leopold Weiss, Robert Barto has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 54 for 2 Lutes in C Major (missing lute part reconstructed by K.-E. Schroder): III. Largo being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
Ciaccona in G major | Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen | G Major | 0 | 9B | 82 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Lute Sonata in F Minor [Augsburg manuscript]: I. Affettuoso | Bernhard Joachim Hagen, Robert Barto | E Minor | 1 | 9A | 80 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Sonate pour violon, clavecin et théorbe No. 8 in D Minor | Ignazio Albertini, Hélène Schmitt, Jörg-Andreas Bötticher, Karl-Ernst Schröder, David Sinclair | D♭ Minor | 2 | 12A | 100 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Passemeze | Adrian Le Roy, Ronn McFarlane | B♭ Major | 1 | 6B | 117 BPM |