Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen's 'Ciaccona in G major' came out on March 30, 2018. With Ciaccona in G major being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Messa a quattro voci et salmi of 1650 Volume II" album is number 11 out of 14. Ciaccona in G major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ciaccona in G major by Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
The Fairy Queen, Z. 629, Act 2: I am Come to Lock All Fast (Mystery) | Henry Purcell, Ann Murray, Harry Christophers, The Sixteen | F♯ Major | 0 | 2B | 140 BPM | ||
Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
Preludio y Fantasia | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | G Minor | 0 | 6A | 130 BPM | ||
Poulenc: Salve Regina | Francis Poulenc, The Sixteen, Harry Christophers | C Major | 2 | 8B | 86 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Suite in D Minor: II. Tombeau de Mezangeau | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |