Ignacio Cervantes, Frank Fernández made "Siempre sí" available on March 9, 2011. With Siempre sí being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 41 in Cervantes & Saumell: Danzas y Contradanzas (CD1) by Ignacio Cervantes, Frank Fernández. Based on our statistics, Siempre sí's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Siempre sí by Ignacio Cervantes, Frank Fernández is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude, Op. 10 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 77 BPM | ||
Ballade No. 1 in C Major, Op. 7 | Dian Shuai, Miao Gao | G Minor | 1 | 6A | 77 BPM | ||
Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | ||
Summertime Variations: Var. 2 | Claudio Constantini | E Minor | 1 | 9A | 173 BPM | ||
Una Argentina en Paris | Cecilia Foj | F Major | 2 | 7B | 131 BPM | ||
Adios a Cuba (Farewell to Cuba) | Ignacio Cervantes, Alvaro Cendoya | A♭ Minor | 0 | 1A | 109 BPM | ||
Histoire du Tango: Nightclub 1960 | Astor Piazzolla, Augustin Hadelich, Pablo Sainz Villegas | B Minor | 1 | 10A | 172 BPM | ||
Children's Suite: II. March | Grażyna Bacewicz, Morta Grigaliunaite | C Major | 1 | 8B | 117 BPM | ||
Etude No. 1 in E Major | H. Leslie Adams, Thomas Otten | G Major | 4 | 9B | 112 BPM | ||
Iberia: X. Malaga | Isaac Albéniz, Belle Chen | F♯ Major | 1 | 2B | 82 BPM |