"Contrastes: VI. Fugue/Tango" by Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux was released on April 14, 2023. With Contrastes: VI. Fugue/Tango being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Richard Galliano: Madreperla". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Contrastes: VI. Fugue/Tango's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contrastes: VI. Fugue/Tango by Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute and String Orchestra: I. Andante cantabile – Allegro scherzando | André Jolivet, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | G Major | 0 | 9B | 73 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Estrellita | Manuel Ponce, Daniela Padrón, Olga López | F♯ Major | 1 | 2B | 95 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B♭ Major | 1 | 6B | 88 BPM | ||
Suite en duo: I. Preambule: Modere | Jean Cras, Juliette Hurel, Marie-Pierre Langlamet | A♭ Major | 0 | 4B | 81 BPM | ||
Padam... Padam | Wynton Marsalis, Richard Galliano | A♭ Major | 6 | 4B | 86 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Variations on Bach’s Goldberg Theme: Variation V, Jazz | Brad Mehldau | F♯ Major | 0 | 2B | 71 BPM | ||
Trumpet Concerto: Finale | Prague Chamber Orchestra, Guy Touvron | D Minor | 1 | 7A | 95 BPM | ||
Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM |