"Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien was released on January 1, 2001. The duration of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" is about 3 minutes long, at 3:03. Based on our data, "Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Matthäus-Passion, BWV 244, Seconda parte: Nr.33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Tim Mead, Emiliano Gonzalez Toro, Christian Immler | A♭ Minor | 0 | 1A | 98 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien | B Minor | 1 | 10A | 81 BPM | ||
Haydn: Die Sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: "Fürwahr, ich sag es dir, Heute wirst du bei mir im Paradiesesein" | Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien | F♯ Major | 1 | 2B | 73 BPM | ||
Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 12, Mentre vaga angioletta, SV 157 | Claudio Monteverdi, Nikolaus Harnoncourt, Ann Murray, Anne-Marie Mühle, Felicity Palmer, Janet Perry, Concentus Musicus Wien | D Minor | 1 | 7A | 77 BPM | ||
II. Gott Ist Unsre Zuversicht BWV 197, 2. Recitativo (Basso): Gott Ist Und Bleibt Der Beste Sorger | Holland Boys Choir, Netherlands Bach Collegium, Geerten Rooze, Frank Wakelkamp, Ruth Holton, Frank Aarnink, Knut Schoch, Frank Anepool, Johann Sebastian Bach, Vaughan Schlepp, Sytse Buwalda, Hendrik Jan Houtsma, Pieter Jan Leusink | E Major | 1 | 12B | 79 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E Major | 2 | 12B | 119 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In D Minor, BWV 940 | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 121 BPM | ||
Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM |