"Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht"" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien was released on January 1, 2001. With Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 67 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
I. Nimm Von Uns, Herr, Du Treuer Gott BWV 101, (1) Coro: Nimm Von Uns, Herr, Du Treuer Gott | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Bas Ramselaar, Vincent Van Ballegooien, Marjon Strijk, Ofer Frenkel, Sytse Buwalda, Johann Sebastian Bach, Doretthe Janssens, Nico Van Der Meel, Pieter Jan Leusink | D♭ Minor | 1 | 12A | 90 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | B Major | 0 | 1B | 86 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" | George Frideric Handel, Concentus Musicus Wien, Nikolaus Harnoncourt, Stockholm Chamber Choir | B♭ Major | 0 | 6B | 120 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto | Wolfgang Amadeus Mozart, Lang Lang, Nikolaus Harnoncourt, Wiener Philharmoniker | B Minor | 1 | 10A | 85 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (2) Recitativo (Tenore): Er Kommt, Der Bräutgam Kommt | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Pieter Jan Leusink | B Minor | 0 | 10A | 81 BPM | ||
Concerto in D Minor: I. Andante e spiccato | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 1 | 7A | 180 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | E Major | 4 | 12B | 97 BPM |