Andreas Hammerschmidt, Jordi Savall, Hespèrion XX made "Suite No. 7 in D Minor for Gambas a 5: I. Ballet" available on October 2, 2020. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andreas Hammerschmidt, Various Artists's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 3 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Suite No. 7 in D Minor for Gambas a 5: I. Ballet is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite No. 7 in D Minor for Gambas a 5: I. Ballet by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis | Tomás Luis de Victoria, Stile Antico | F Minor | 1 | 4A | 88 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Herr, du lässest mich erfahren | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 73 BPM | ||
Missa pro Quadragesima, MH 551: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 126 BPM | ||
Jesu, Meine Freude BWV 227: Denn Das Gesetz - Terzett | Calmus Ensemble | E Major | 1 | 12B | 125 BPM | ||
Die mit Tränen säen | Andreas Hammerschmidt, Himlische Cantorey, Johann Rosenmüller Ensemble, Jorg Breiding | A Minor | 0 | 8A | 130 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 68 BPM | ||
Suite No. 3 in D Minor for Gambas a 5: I. Paduan | Andreas Hammerschmidt, Jordi Savall, Hespèrion XX | D Minor | 1 | 7A | 65 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM |