"Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis" by Tomás Luis de Victoria, Stile Antico was released on March 9, 2018. The duration of Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria: Tenebrae Responsories by Tomás Luis de Victoria, Stile Antico. The song's track number on the album is #3 out of 22 tracks. Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis by Tomás Luis de Victoria, Stile Antico has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maundy Thursday Responsories, Second and Third Nocturns: III. Unus ex discipulis meis being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Adoramus Te Christe (DuBois) | Theodore Dubois, Benedictines of Mary, Queen of Apostles | E Minor | 1 | 9A | 85 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM |