"Farnace, RV 711: Gelido in ogni vena" by Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale was released on 2014. Since Farnace, RV 711: Gelido in ogni vena is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Sinkovsky Plays and Sings Vivaldi". In this album, this song's track order is #14. Farnace, RV 711: Gelido in ogni vena is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Farnace, RV 711: Gelido in ogni vena by Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Symphony No. 4 in F Major, "Die Rettung der Andromeda durch Perseus" (The Rescuing of Andromeda by Perseus): III. Larghetto | Carl Ditters von Dittersdorf, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | F Minor | 1 | 4A | 172 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
14 Songs, Op. 34: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Maria Kliegel, Raymund Havenith | E Minor | 1 | 9A | 80 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "Summer": II. Adagio e piano - Presto e forte | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | G Minor | 0 | 6A | 70 BPM |