Traditionnel, Hespèrion XXI, Jordi Savall made "Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim" available on March 2, 2015. With Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall's "Guerre et Paix" album is number 2 out of 47. Based on our statistics, Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. Taksim by Traditionnel, Hespèrion XXI, Jordi Savall to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Makam Muhayyer “Küme” uşūleş Düyek - Acemler (War turkish march) | Acemler, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | C Major | 4 | 8B | 125 BPM | ||
Fantasia "Les Pleurs D'Orphée", 1650 (Rossi) | Montserrat Figueras, Hespèrion XXI, Jordi Savall | C Major | 0 | 8B | 174 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM | ||
Les Indes Galantes - Tambourins I/II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Minor | 3 | 10A | 66 BPM | ||
Les Indes Galantes - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Minor | 4 | 1A | 141 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | C Major | 2 | 8B | 116 BPM | ||
Violin Concerto in B-Flat Major, RV 583: II. Andante | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | B♭ Major | 3 | 6B | 94 BPM |