Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations made "Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670)" available on January 1, 1999. With Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Jordi Savall's "Jean-Baptiste Lully: L'orchestre du Roi Soleil" album is number 18 out of 31. In terms of popularity, Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Le Divertissement Royal de Versailles, LWV 38: Les Esclaves (1664-1670) by Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcione, Acte I Scène 2: Menuet - "Dans ces lieux, amour, tu nous ramènes" | Marin Marais, Jordi Savall, Lise Viricel, Maud Gnidzaz, Le Concert Des Nations | G Minor | 1 | 6A | 112 BPM | ||
Concert pour quatre parties de violes, H. 545: IV. Gigue anglaise | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | A Minor | 0 | 8A | 80 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Ein Schottisch Tanz | William Brade, Jordi Savall | D Major | 3 | 10B | 112 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 0 | 11B | 128 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Concerto in A Minor for Flauto Dolce, Viola di Gamba, Strings e Fondamento TWV 52/a1: II. Allegro | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | A♭ Minor | 2 | 1A | 127 BPM | ||
Fanfare des Médicis: Palle, palle (Instrumental) | Heinrich Isaac, Jordi Savall | F Major | 3 | 7B | 73 BPM | ||
Water Music - Suite #3 In G, HWV 350 - Menuet 2 | George Frideric Handel, Jordi Savall | D♭ Minor | 0 | 12A | 97 BPM |