"3 Gymnopedies: III. Lent et Grave" by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden was released on October 1, 2016. The duration of 3 Gymnopedies: III. Lent et Grave is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 3 Gymnopedies: III. Lent et Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 49 in Classical for Brain Power by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 3 Gymnopedies: III. Lent et Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Gymnopedies: III. Lent et Grave by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | D Major | 1 | 10B | 107 BPM | ||
Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 87 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Serenade for Strings in E Minor, Op. 20: 2. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 88 BPM | ||
Wieniawski / Arr. Kreisler: Caprice in E-Flat Major (Alla saltarella), Op. 10 No. 10 | Henryk Wieniawski, Vilde Frang | E♭ Major | 2 | 5B | 112 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 87 BPM | ||
3 Pieces, WAB 97: No. 1, Moderato | Anton Bruckner, Luxembourg Philharmonic Orchestra, Gustavo Gimeno | E♭ Major | 1 | 5B | 134 BPM | ||
Violin Concerto No.1 In A Minor, Op.99 (Formerly Op.77): 2. Scherzo (Allegro) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 3 | 7B | 113 BPM |