Luis Pascual Frutos, Pablo Luna, Marcos Redondo's 'Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered' came out on March 31, 2014. The duration of Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Molinos de Viento: Capitán, capitán, Todo Duerme... Mis Ojos Al Ver los Tuyos (Serenata) - Remastered by Luis Pascual Frutos, Pablo Luna, Marcos Redondo is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico) | Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | D Major | 2 | 10B | 40 BPM | ||
Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese | D♭ Major | 2 | 3B | 166 BPM | ||
Ilusión | Luis Mariano | E♭ Major | 5 | 5B | 139 BPM | ||
Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Hace Tiempo Que Vengo al Taller (Duo Ascension y Joaquin) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 3 | 9B | 126 BPM | ||
Sempre Em Jesus Confiarei - Hino CCB | CCB Hinos | F Major | 1 | 7B | 81 BPM | ||
Lucia di Lammermoor, Act I: Qui di sposa eterna | Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | ||
Luisa Fernanda, Acto ii: Escena y cuarteto | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | D Minor | 3 | 7A | 199 BPM | ||
Maruxa: "El Amor Es la Locura" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | B♭ Major | 3 | 6B | 75 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |