Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid's 'Maruxa: "El Amor Es la Locura"' had a release date set for December 3, 2013. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: Maruxa by Amadeo Vives, Luis Pascual Frutos, Gran Orquesta de Cámara de Madrid. The song's track number on the album is #6 out of 18 tracks. Based on our data, Spain was the country where this track was produced or recorded. Maruxa: "El Amor Es la Locura" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Maruxa: "El Amor Es la Locura" by Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Maruxa: "El Amor Es la Locura" being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Rosa de Madrid (Chotís) | Gran Orquesta Sinfonica | C Major | 3 | 8B | 95 BPM | ||
El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
Dóminus pascit me (salmo 22) | Orfeón de Miravalles | D Minor | 1 | 7A | 138 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
La Pícara Molinera: Intermedio - Remastered | Ángel Torres del Álamo, Antonio Asenjo, Pablo Luna, Gran Orquesta Sinfonica, Indalecio Cisneros | G Major | 4 | 9B | 128 BPM | ||
Pan y Toros: "Al Son de las Guitarras" | José Picón, Francisco Asenjo Barbieri, Gran Orquesta Sinfonica | F Major | 1 | 7B | 83 BPM | ||
Milonga Triste | Cuarteto Soltango, Leonel Capitano | B Minor | 3 | 10A | 116 BPM | ||
Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM |