"Concertino for Trumpet, String Orchestra and Piano" by André Jolivet, Wynton Marsalis, Esa-Pekka Salonen, Philharmonia Orchestra was released on 1983. Since Concertino for Trumpet, String Orchestra and Piano is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #5. Concertino for Trumpet, String Orchestra and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concertino for Trumpet, String Orchestra and Piano by André Jolivet, Wynton Marsalis, Esa-Pekka Salonen, Philharmonia Orchestra having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Sonata for Alto Saxophone and Piano, Op. 19: II. With Tranquility | Paul Creston, Joseph Lulloff, Deborah Moriarty | A Major | 1 | 11B | 87 BPM | ||
Introduction et air suédois, Op. 12: Introduktion | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | D Major | 2 | 10B | 132 BPM | ||
Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | F Major | 0 | 7B | 139 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Humoreske | Alexander von Zemlinsky, Atéa Quintet | B♭ Major | 0 | 6B | 84 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Hora staccato | Grigoras Dinicu, Anton Hollich, Michaela Pühn | E♭ Major | 3 | 5B | 154 BPM | ||
Jolivet : Flute Concerto No.1 : I Andante cantabile | André Jolivet, Orchestre à cordes de l'association des Concerts Lamoureux | E Minor | 4 | 9A | 93 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM |