"4 Etudes de rythme: Ile de feu I (Isle of Fire I)" by Olivier Messiaen, Håkon Austbø was released on September 28, 1999. With 4 Etudes de rythme: Ile de feu I (Isle of Fire I) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Olivier Messiaen's "Messiaen: Preludes / 4 Rhythmic Studies / Canteyodjaya" album is number 9 out of 13. Based on our statistics, 4 Etudes de rythme: Ile de feu I (Isle of Fire I)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 4 Etudes de rythme: Ile de feu I (Isle of Fire I) by Olivier Messiaen, Håkon Austbø to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 3 in A Minor, Op. 28 | Sergei Prokofiev, Matti Raekallio | C Major | 2 | 8B | 85 BPM | ||
Gnossiennes Nos. 4-6: Gnossienne No. 5 | Erik Satie, Håkon Austbø | E Minor | 0 | 9A | 129 BPM | ||
Turangalîla Symphonie: 10. Final | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 4 | 3B | 155 BPM | ||
Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM | ||
Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | D Major | 0 | 10B | 99 BPM | ||
Préludes / Book 1, L. 117: I. Danseuses de Delphes | Claude Debussy, Arturo Benedetti Michelangeli | E Minor | 0 | 9A | 63 BPM | ||
3 Etudes, Op. 65: No. 2 Allegretto | Alexander Scriabin, Alexander Paley | F♯ Major | 2 | 2B | 110 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM |