"Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget was released on February 2, 2024. With this song being about 5 minutes long, at 4:48, "Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget's "Messiaen: Turangalîla-Symphony" album is number 9 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 126 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Saint Francois D'Assise / Premier Acte: "Père, Père, j'ai tellement protesté contre mes "Père, | Olivier Messiaen, Chris Merritt, José van Dam, Hallé, Kent Nagano, Arnold Schoenberg Chor, Erwin Ortner | C Major | 1 | 8B | 90 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
Nocturnes, L.91: I. Nuages | Claude Debussy, Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Appel interstellaire | Asko Schönberg, Olivier Messiaen, Jan Harshagen | A♭ Major | 0 | 4B | 95 BPM | ||
Saint Francois D'Assise / Premier Acte: Loué sois-tu, mon Seigneur, pour soeur Eau (Saint Francois, frères Sylvestre, Rufin & Bernard, choeur) | Olivier Messiaen, José van Dam, Akos Banlaky, Dirk D'Ase, Tom Krause, Hallé, Kent Nagano, Arnold Schoenberg Chor, Erwin Ortner | D♭ Major | 1 | 3B | 83 BPM |