La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic

Daniele Lombardi
Futurpiano
1:01 2009年10月1日
テンポ
78
キー
C Major
キャメロットミュージックキー
8B

リンクを埋め込む

共有

La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic - Daniele Lombardi 情報

音響性
99%
ダンサビリティ
71%
エネルギー
3%
手段性
95%
活気
12%
ラウドネス
67%
話し言葉
9%
価数
36%
人気
ラウドネス
-19.752 dB

まとめ

Daniele Lombardi's 'La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic' came out on October 1, 2009. With La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 36 in Futurpiano by Daniele Lombardi. La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic テンポ

The tempo marking of La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic by Daniele Lombardi is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

La Femme De 100 Tetes (After Max Ernst) 18 - Nostalgic キー

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua by Modest Mussorgsky, Robert NeumannPictures at an Exhibition: VIIIb. Con mortuis in lingua mortuaModest Mussorgsky, Robert NeumannF♯ Major02B137 BPM
A Foggy Day by Carrie BaynesA Foggy DayCarrie BaynesD♭ Major13B81 BPM
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba by Johann Sebastian Bach, KunikoCello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for MarimbaJohann Sebastian Bach, KunikoF♯ Major12B63 BPM
Symphony, Op. 21: I. Ruhig, schreitend by Anton Webern, Twentieth Century Classics Ensemble, Robert CraftSymphony, Op. 21: I. Ruhig, schreitendAnton Webern, Twentieth Century Classics Ensemble, Robert CraftG Major09B78 BPM
IMMACULATE MOTHER VARIATIONS, Live - Music for Christ 2006 by Antonio Gabriel IMMACULATE MOTHER VARIATIONS, Live - Music for Christ 2006Antonio Gabriel "Ariel" G. Arambulo, Ariel ArambuloC Major28B91 BPM
Valses nobles et sentimentales, M. 61: VIII. Epilogue. Lent by Maurice Ravel, Angela HewittValses nobles et sentimentales, M. 61: VIII. Epilogue. LentMaurice Ravel, Angela HewittD♭ Major03B65 BPM
7 Piano pieces, Op. 11: No. 2. Szekely lament: Rubato parlando by Zoltán Kodály, Andrew Rangell7 Piano pieces, Op. 11: No. 2. Szekely lament: Rubato parlandoZoltán Kodály, Andrew RangellE♭ Major15B64 BPM
Piano Trio No. 2 in E Minor, Op. 67: III. Largo by Dmitri Shostakovich, Ilya Gringolts, Daniel Haefliger, Gilles VonsattelPiano Trio No. 2 in E Minor, Op. 67: III. LargoDmitri Shostakovich, Ilya Gringolts, Daniel Haefliger, Gilles VonsattelC Major58B118 BPM
Concerto for Violin and Orchestra: IV. Fast by Julia Perry, Curtis J Stewart, James Blachly, Experiential OrchestraConcerto for Violin and Orchestra: IV. FastJulia Perry, Curtis J Stewart, James Blachly, Experiential OrchestraC Major48B89 BPM
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with by Toru Takemitsu, Kotaro FukumaSaegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse withToru Takemitsu, Kotaro FukumaB♭ Major06B112 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records