Armand-Louis Couperin, Stanislav Heller made "Prélude non mesure No. 13 in F Major for Harpsicord" available on October 9, 2021. The duration of Prélude non mesure No. 13 in F Major for Harpsicord is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Prélude non mesure No. 13 in F Major for Harpsicord's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 45 in Baroque Hits by Various Artists. In terms of popularity, Prélude non mesure No. 13 in F Major for Harpsicord is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prélude non mesure No. 13 in F Major for Harpsicord by Armand-Louis Couperin, Stanislav Heller is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Pièces de clavecin en Si Bémol: V. La Chéron | Armand-Louis Couperin, Christophe Rousset | A Major | 2 | 11B | 127 BPM | ||
Suite in D Minor, HWV 448: IV. Sarabande I-II | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
Mandolin Concerto in E-Flat Major: I. Allegro maestoso | Giovanni Paisiello, Avi Avital, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: I. Largo | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | F♯ Minor | 2 | 11A | 168 BPM |