Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit made "Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2]" available on May 6, 2022. With Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Telemann: Pimpinone, TWV 21:15". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2]'s popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] by Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 133 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Symphony No. 27 in G Minor: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 1 | 11B | 68 BPM | ||
Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
Stabat Mater, P. 77: VIII. Duo "Fac, ut ardeat cor meum" | Giovanni Battista Pergolesi, Anna Prohaska, Bernarda Fink, Akademie für Alte Musik Berlin | F Minor | 1 | 4A | 180 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM |