William Grant Still, Rachel Barton Pine, Matthew Hagle's 'Suite for Violin & Piano: I. African Dancer' came out on October 19, 2018. With this song being about 5 minutes long, at 4:34, "Suite for Violin & Piano: I. African Dancer" by William Grant Still, Rachel Barton Pine, Matthew Hagle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 24 in Blues Dialogues: Music by Black Composers by Rachel Barton Pine, Matthew Hagle. Based on our statistics, Suite for Violin & Piano: I. African Dancer's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite for Violin & Piano: I. African Dancer by William Grant Still, Rachel Barton Pine, Matthew Hagle is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Concertino bianco: 2. Con venerazione | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 77 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
And They Lynched Him on a Tree: No. 3. Oh, Sorrow | William Grant Still, William Warfield, Hilda Harris, Leigh Morris Chorale, VocalEssence Chorus, VocalEssence Ensemble Singers, Studio Orchestra, Philip Brunelle | B♭ Minor | 0 | 3A | 165 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Danzas de Panama: I. Tamborito | William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe | A Major | 2 | 11B | 102 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM |