"8 Songs, Op. 11: I. Stemming" by Wilhelm Peterson-Berger, Junges Vokalensemble Hannover, Klaus-Jurgen Etzold was released on December 1, 1999. The duration of 8 Songs, Op. 11: I. Stemming is about 3 minutes long, at 3:12. Based on our data, "8 Songs, Op. 11: I. Stemming" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Skandinavische Chormusik". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. 8 Songs, Op. 11: I. Stemming is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Songs, Op. 11: I. Stemming by Wilhelm Peterson-Berger, Junges Vokalensemble Hannover, Klaus-Jurgen Etzold having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Seraillets have | Wilhelm Stenhammar, Jens Peter Jacobsen, The Real Group | F♯ Major | 1 | 2B | 104 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Spes | Mia Makaroff, Nils-Aslak Valkeapää, Cantus, Tove Ramlo-Ystad | G Major | 1 | 9B | 78 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium Cartusianum | D Major | 1 | 10B | 78 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM |