"La bohème, SC 67, Act I: O soave fanciulla - Live in Modena, 1967" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Leone Magiera, Filarmonica del Teatro Comunale di Bologna was released on January 1, 2010. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 6 out of 115. On top of that, United States appears to be the country where this track was created. La bohème, SC 67, Act I: O soave fanciulla - Live in Modena, 1967 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La bohème, SC 67, Act I: O soave fanciulla - Live in Modena, 1967 by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Leone Magiera, Filarmonica del Teatro Comunale di Bologna to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dicitencello Vuie | Rodolfo Falvo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A♭ Major | 2 | 4B | 110 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna | C Major | 2 | 8B | 79 BPM | ||
Nebbie | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Minor | 2 | 1A | 88 BPM | ||
Serenata | Pietro Mascagni, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Minor | 2 | 6A | 86 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Caruso (Arr. Bohets) - Live | Lucio Dalla, Luciano Pavarotti, Orchestre de Paris, James Levine | F♯ Minor | 1 | 11A | 112 BPM | ||
Turandot / Act III: "Nessun dorma" | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 2 | 10B | 85 BPM | ||
Core ‘ngrato | Roberto Alagna, London Orchestra, Yvan Cassar | E♭ Major | 3 | 5B | 74 BPM |