"Ecuatorial" by Edgard Varèse, Thomas Bloch, Camerata Silesia, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee was released on May 27, 2008. Ecuatorial appears to be safe for all ages as it is not explicit. This song is part of Varese: Orchestral Works, Vol. 2 - Ameriques / Equatorial / Nocturnal / Ionisation by Edgard Varèse, Christopher Lyndon-Gee. The song's track number on the album is #2 out of 9 tracks. In terms of popularity, Ecuatorial is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ecuatorial by Edgard Varèse, Thomas Bloch, Camerata Silesia, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ecuatorial being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
Symphony No. 1 "Polyphonic": 1. Canons | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
The Banshee | Henry Cowell | C Major | 0 | 8B | 78 BPM | ||
Tuning Up (completed by Chou Wen-chung) | Edgard Varèse, Chou Wen-chung, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A Major | 4 | 11B | 85 BPM | ||
Paradise Lost (version for english horn and string orchestra): Adagietto from Paradise Lost | Krzysztof Penderecki, Albrecht Mayer, Sinfonia Varsovia | D♭ Major | 1 | 3B | 84 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
Alexander Nevsky, Op. 78: I. Russia Under The Mongolian Yoke | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 71 BPM |