Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese's 'Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace' came out on January 5, 2020. The duration of Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 29 in Albinoni: Sonate & Trio Sonate, Op. 8 by Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flauto Sonata No.1 "Dal Libro Palatina di Parma" in la minore: IV. Vivace by Tomaso Albinoni, Claudio Ferrarini, Accademia Farnese is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 4 | 8B | 119 BPM | ||
Concerto for two oboes in F Major, Op. 9 No. 3: II. Adagio | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 124 BPM | ||
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM |