Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann made "Der Zigeunerbaron: Act II: So voll Frohlichkeit" available on November 1, 2008. The duration of Der Zigeunerbaron: Act II: So voll Frohlichkeit is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Der Zigeunerbaron: Act II: So voll Frohlichkeit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Opera Arias (Baritone): Prey, Hermann - Mozart, W.A. / Lortzing, A. / Marschner, H.A. / Humperdinck, E. / Rossini, G. (1954, 1957)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Zigeunerbaron: Act II: So voll Frohlichkeit is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Der Zigeunerbaron: Act II: So voll Frohlichkeit by Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Bonbons (Vienna Bon-Bons), waltz for orchestra, Op. 307 (RV 307) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 182 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Adrian Leaper | G Minor | 1 | 6A | 71 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt | Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur | G Major | 1 | 9B | 76 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Albion, Op. 102: Polka | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | F Major | 1 | 7B | 86 BPM |