Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Rafael Maldonado, Agustin S. Luque, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica made "El Rey Que Rabió: "Cuarteto de la risa: ¿Quién es?" - Remastered" available on May 15, 2006. With El Rey Que Rabió: "Cuarteto de la risa: ¿Quién es?" - Remastered being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Various Artists, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica's "La Zarzuela: El Rey Que Rabió" album is number 5 out of 20. On top of that, Spain appears to be the country where this track was created. El Rey Que Rabió: "Cuarteto de la risa: ¿Quién es?" - Remastered is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of El Rey Que Rabió: "Cuarteto de la risa: ¿Quién es?" - Remastered by Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Rafael Maldonado, Agustin S. Luque, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: Michonnet, su! Michonnet, giù! | Francesco Cilea, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Franco Ricciardi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | C Minor | 2 | 5A | 121 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
Caro Nome - Live | André Rieu, Johann Strauss Orchestra, Micaëla Oeste | C Major | 10 | 8B | 127 BPM | ||
Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! | Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly | F Major | 2 | 7B | 112 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | ||
La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM | ||
El Chaleco Blanco: "Tengo Mucho Que Contarte" | Miguel Ramos Carrión, Federico Chueca, Gran Orquesta de Cámara de Madrid | C Major | 6 | 8B | 95 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
El Año Pasado por Agua: "Habanera: Oiga Usted Caballero" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | F Major | 1 | 7B | 79 BPM |