"8 Memories in Watercolor: No. 7, Floating Clouds (2002 Revised Version)" by Tan Dun, Warren Lee was released on April 1, 2016. The duration of 8 Memories in Watercolor: No. 7, Floating Clouds (2002 Revised Version) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. 8 Memories in Watercolor: No. 7, Floating Clouds (2002 Revised Version)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Touches & Traces". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hong Kong. 8 Memories in Watercolor: No. 7, Floating Clouds (2002 Revised Version) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 8 Memories in Watercolor: No. 7, Floating Clouds (2002 Revised Version) by Tan Dun, Warren Lee having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arco: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | A Minor | 2 | 8A | 93 BPM | ||
Laura's Murder | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | B♭ Minor | 3 | 3A | 138 BPM | ||
The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Le Choeur des Femmes de L'Orchestre de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 78 BPM | ||
The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
Warriors | Tan Dun, Itzhak Perlman, Kodo | D Minor | 3 | 7A | 79 BPM | ||
This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
Wild Swans - Concert Suite: 1. Green Leaf | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | C Minor | 1 | 5A | 81 BPM | ||
Gleam And Sparkle - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 79 BPM | ||
Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
I. Cremona, Main Title | John Corigliano, Esa-Pekka Salonen | A♭ Major | 0 | 4B | 80 BPM |