"Wild Swans - Concert Suite: 1. Green Leaf" by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner was released on January 7, 2005. The duration of Wild Swans - Concert Suite: 1. Green Leaf is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Wild Swans - Concert Suite: 1. Green Leaf's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 17 in Elena Kats-Chernin: Wild Swans by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner. Wild Swans - Concert Suite: 1. Green Leaf is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wild Swans - Concert Suite: 1. Green Leaf by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
La Source | Alphonse Hasselmans, Judy Loman | F Major | 1 | 7B | 89 BPM | ||
Harp Concerto, Op. 25: II. Molto moderato | Alberto Ginastera, Xavier De Maistre, Bertrand de Billy, Vienna Radio Symphony Orchestra | C Major | 0 | 8B | 78 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Concerto-Notturno: I. Lento | Henryk Górecki, Piotr Plawner, Polish Chamber Philharmonic Orchestra, Wojciech Rajski | C Major | 1 | 8B | 83 BPM | ||
A.V. Worthington | Sean O'Boyle, Wendy Page, Tasmanian Symphony Orchestra | D Minor | 6 | 7A | 169 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Paquita: Variation 5: Allegro non troppo (by Cherepnin) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Minor | 1 | 9A | 140 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM |